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Ballet Star Matthew Ball on Grueling Parts and Online Scrutiny: 'I'm Not Protective About My Body'

Within the hushed atmosphere of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is effortlessly straight-backed, his arms defined beneath a plain white T-shirt. On stage, dancers can seem like powerful deities, yet often in person they are small. Not so Ball, whose height is part of his demand for heroic roles and partnering. With delicate features and piercing eyes, there's a hint of Robert Pattinson about him.

A Seamless Ascent to the Top

Now 31, Ball is enjoying the peak of a career that has progressed seamlessly. Raised in Liverpool, he encountered little ridicule for his early interest in ballet. Entering the esteemed training institution at 11, he moved directly into the troupe and was advanced annually, reaching the top rank of lead dancer in 2018. He has relished taking on meaty characters, particularly the emotional turmoil found in Kenneth MacMillan's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

His upcoming starring role is in a talk, in an "Evening With" event designed to offer behind-the-scenes insights into a dancer's craft. He will walk the crowd through a role, demonstrating his mental process while performance. Yet in lighter ballets, the challenge is significant. "A classic ballet is one of the toughest technically," he notes.

The Psychological Struggle and Post-Performance Feelings

How does he feel following a performance, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to squeeze all the emotion out of it, and get lost in the character, frequently I do feel embarrassed later. Following Mayerling I'm always thinking: God, what must people think?"

In person, Ball is thoughtful, mild-mannered, and prone to laugh at himself. But a dance maker once observed on a "sense of suffering in him." Is there? "I'm quite active in general, but I do have a melancholy streak," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an instigator for good change."

Formative Drivers and Artistic Influences

His determination originated in youthful experiences. Not excelling in contests at school made him "driven!" This became fuel to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he recalls.

An upcoming challenge is making his own dance works. For Ball, "organic movement has value." "Breaking the rules is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing ideas from books, compositions, and art.

Intimate Dance and Personal Partnership

He additionally is interested in staging dance in more intimate spaces. "It was just really thrilling," he says of a past show. "You’re so near to the audience. I felt as if they were realizing: 'That’s a person, and they’re sweating.'"

Ball has made duets with his girlfriend, fellow lead dancer Mayara Magri. The level of trust between them is clear. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." They are not typically paired on stage at their main theater, which might be healthy. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "Yet I feel like we’re each other’s biggest cheerleader."

On Social Media and Bodily Perception

On Instagram, fans can see videos from his dance films and images that highlight a athletic physique. Does he mind that the engagement can be somewhat focused on appearance? Not really. "The body is just what we work with, so I don’t feel very protective about it," he explains. He compares it to seeing Michelangelo’s David—an object that can be seen on multiple levels.

Ball characterizes his younger self as "desperate for success." Has it lived up to his expectations? "I am conscious of how life is a different thing to the dreams you made as a child," he reflects. He probably has about ten years of performing ahead. "I guess in the future, I want to be a bit more kind with myself."

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Written by

Amanda Irwin

A tech strategist with over a decade of experience in digital transformation and business consulting.

Royexa Systems

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